DOG
DAYS
ARE
OVER
PERFORMERS: Piet Defrancq, Naomi Gibson, Nelle Hens, Julien Josse, Kimmy Ligtvoet, Cherish Menzo, Steven Michel, Laura Vanborm and/or Daniel Barkan, Amerigo Delli Bove, Victor Dumont, Ilse Ghekiere, Morgane Ribbens, Caspar Knops, Connor Schumacher
LIGHTING DESIGN: Jan Fedinger
DRAMATURGY: Renée Copraij
TECHNICAL SUPERVISION: Michel Spang
PRODUCTION: JAN and ICKamsterdam
INTERNATIONAL DISTRIBUTION: A propic / Line Rousseau and Marion Gauvent
CO-PRODUCTION: DansBrabant, Frascati Producties, SPRING performing arts festival, tanzhaus nrw, CDC du Val-de-Marne La Briqueterie and TAKT Dommelhof WITH THE SUPPORT OF: workspacebrussels and wpZimmer
WITH THE FINANCIAL SUPPORT OF:
the Government of Flanders and Performing Arts Fund NL
THANKS TO: Dansateliers and Conny Janssen Danst
/GRIP
double portraits
Jan Fedinger / what is left on stage:
THE DOG DAYS ARE OVER (2.0) [2014 & 2025]
text
Ilse Ghekiere
scene pictures
Stefanie Nash
graphic design, sweat scans
Nick Mattan & Joëlle Desmet
REHEARSAL DIRECTOR / ARTISTIC ASSISTANCE: Naomi Gibson
ARTISTIC ASSISTANCE / COACHING:
Steven Michel, Piet Defrancq
PERFORMERS: 8 out of these dancers: Pierre Bastin, Camilla Bundel, Jim Buskens, Zoë Chungong, Simon Lelièvre, Florence Lenon, Elisha Mercelina, Dan Mussett, Pierre Adrien Touret, Zora Westbroek, Maisie Woodford, Paolo Yao
DRAMATURGY: Renée Copraij
COSTUME STYLING: Sofie Durnez
LIGHTING DESIGN: Jan Fedinger
TECHNICIANS ON TOUR: Michel Spang, Elke Verachtert, Nele Verreyken
GRAPHIC DESIGN: Nick Mattan
GRAPHIC DESIGN INTERNSHIP: Joëlle Desmet
PHYSIOTHERAPY AND OSTEOPATHY: Fourward Gent, Inge Haeyaert, Lode Verreyen
PRODUCTION: GRIP (Hanne Doms, Anneleen Hermans, Rudi Meulemans, Klaartje Oerlemans, Jennifer Piasecki, Sylvie Svanberg, Nele Verreyken)
INTERNATIONAL DISTRIBUTION: A propic / Line Rousseau, Marion Gauvent
PARTNERS 2023-2027: La Comédie de Clermont-Ferrand SN, Maison de la danse/Pôle européen de création,
en soutien à la Biennale de Lyon
CO-PRODUCTION: Theater Rotterdam, DE SINGEL, Le Carreau – Scène nationale de Forbach et de l’Est Mosellan & Perpodium
WITH THE FINANCIAL SUPPORT OF: The Flemish Government, Tax Shelter of the Belgian Federal Government via Cronos Invest, bpost’s Star4U fund
THANKS TO: Opera Ballet Vlaanderen, c o r s o
WITH THE SUPPORT OF
Dance Reflections by Van Cleef & Arpels